Details
- 15
- piano, violon, clarinet/bass clarinet
Program Notes
Commissioned by Madeline Hildebrand and GroundSwell. First performance November 23, 2021, Winnipeg. Madeline Hildebrand, piano; Kerry DuWors, violin; Cathy Wood, clarinet/bass clarinet.
Archives
Details
- 12
- violin, clarinet/bass clarinet, piano
Program Notes
Commissioned by GroundSwell and premiered on November 23, 2021. The musicians were Madeline Hildebrand, Kerry DuWors and Cathy Wood.
Program Notes
This work is a cycle of fourteen songs based on selected poems from Dennis Cooley’s 1984 collection Bloody Jack. These poems relate to the life of John Krafchenko, a Hungarian immigrant to Canada who became a notorious outlaw. The music was originally composed between 2015 and 2017, and revised in 2020. The piece is dedicated to performers Laura Loewen and Dawn Bruch.
Details
- 12
- Clarinet/Bass Clarinet, cello, piano
Details
- 15
- Viola, Viola d'Amore, Percussion
Details
- 19
- Soprano, Clarinet/Bass Clarinet, Viola, Percussion
Details
- 14
- Flute, Oboe, Clarinet/Bass Clarinet, Alto Saxophone, Violin, Cello, Piano
Score Excerpts
Program Notes
Septet was commissioned by the ensemble mosaik with financial assistance from the Canada Council. The world premiere was given in Calgary on February 8, 2017. The musicians were:
Bettina Junge – flute
Simon Strasser – oboe
Christian Vogel – clarinet/bass clarinet
Martin Losert – alto saxophone
Chatschatur Kanajan – violin
Mathis Mayr – cello
Ernst Surberg – piano
Program Notes
These are orchestrations of six songs from Hugo Wolf’s Mörike Lieder:
Ein Stündlein wohl vor Tag
Der Gärtner
Zitronenfalter im April
An den Schlaf
Erstes Liebeslied eines Mädchens
Nixe Binsefuß
They were written for soprano Sarah Kirsch, conductor Wanda Kaluzny and the Montreal Chamber Orchestra.
Program Notes
All of the poems are concerned with the subject of time: time that is wasted, the unceasing nature of time, the perishability of beauty in time, our desire to change our experience of the flow of time, the finality of time, time and timelessness. I think that they fit together beautifully as a cycle, and I have been holding on to them for a number of years waiting for an opportunity to set them. This opportunity came in the form of a commission from Wanda Kaluzny and the Montreal Chamber Orchestra, which I was pleased to fulfill. The works were written for soprano Sarah Kirsch.
Details
- 25
- voice, piano
Program Notes
A song cycle based on poetry by Dennis Cooley
Commissioned by Dawn Bruch and Laura Loewen